33 Most Popular Songs About Vampires Ever Written (Scary Playlist)

Vampires have long fascinated humanity with their blend of allure, danger, and immortality, making them a compelling subject for music across genres.

In this article, we delve into a diverse collection of tracks that capture the essence of these enigmatic creatures. From haunting ballads to energetic rock anthems, these songs explore themes of seduction, fear, and the eternal struggle between light and darkness.

Join us as we journey through the night with melodies that echo the mystique and power of vampire lore, showcasing how these timeless legends continue to inspire and captivate artists and listeners alike.

33 Most Famous Songs About Vampires (Metal, Rock, Goth, Pop Playlist)

These songs capture the mystique and allure of vampires, exploring themes of immortality, darkness, and the supernatural.

Here’s a list of 33 songs about vampires:

#1 “Bela Lugosi’s Dead” by Bauhaus

“Bela Lugosi’s Dead,” released in 1979 by Bauhaus, is considered the quintessential gothic rock song and a cornerstone of vampire-themed music. The track pays homage to Bela Lugosi, the actor famous for his portrayal of Count Dracula in the 1931 film. The lyrics, “White on white, translucent black capes, back on the rack, Bela Lugosi’s dead,” evoke a haunting and eerie atmosphere.

Peter Murphy’s deep, resonant vocals combined with the song’s slow, echoing guitar riffs create an unsettling and otherworldly mood. The song’s minimalist yet powerful composition captures the essence of gothic horror and the enduring legacy of Lugosi’s Dracula.

#2 “Sympathy for the Devil” by The Rolling Stones

“Sympathy for the Devil,” released in 1968 by The Rolling Stones on their album Beggars Banquet, isn’t explicitly about vampires, but its exploration of evil and dark charm makes it fitting for the theme. The lyrics, “Please allow me to introduce myself, I’m a man of wealth and taste,” are sung from the perspective of the Devil, embodying a suave and sinister figure similar to classic vampire archetypes.

Mick Jagger’s charismatic vocals and the song’s rhythmic, Latin-inspired beat create a captivating and ominous atmosphere. The track delves into themes of immortality and malevolence, resonating with the allure of vampire lore.

#3 “Vampires Will Never Hurt You” by My Chemical Romance

“Vampires Will Never Hurt You,” released in 2002 by My Chemical Romance on their debut album I Brought You My Bullets, You Brought Me Your Love, is a post-hardcore track that metaphorically addresses themes of fear and transformation. The lyrics, “And if the sun comes up, will it tear the skin right off our bones?” explore the struggles and fears associated with change and identity.

Gerard Way’s intense, emotive vocals and the song’s aggressive, fast-paced instrumentation create a sense of urgency and angst. The song uses vampire imagery to discuss deeper issues of inner turmoil and resilience.

#4 “Dracula” by Gorillaz

“Dracula,” released in 2001 by Gorillaz on their self-titled debut album, is a dub-influenced track that delves into the darker side of the band’s eclectic sound. The lyrics, “I’m a sweet little lovemaker, finding time to make my words better,” are delivered in a laid-back, almost sinister tone. The song’s heavy bassline and eerie sound effects create a spooky, atmospheric vibe.

“Dracula” reflects the band’s ability to blend various musical styles while exploring themes of darkness and seduction associated with vampire mythology. Its hypnotic rhythm and haunting lyrics capture the essence of the vampire’s allure.

#5 “Moon Over Bourbon Street” by Sting

“Moon Over Bourbon Street,” released in 1985 by Sting on his debut solo album The Dream of the Blue Turtles, is inspired by Anne Rice’s novel Interview with the Vampire. The lyrics, “There’s a moon over Bourbon Street tonight, I see faces as they pass beneath the pale lamplight,” evoke the haunting and melancholic existence of a vampire.

Sting’s smooth, jazzy vocals and the song’s sultry, atmospheric instrumentation create a sense of mystery and sorrow. The track captures the inner conflict and loneliness of an immortal being living in the shadows, drawing listeners into the dark and seductive world of vampires.

#6 “Nosferatu” by Blue Öyster Cult

“Nosferatu,” released in 1977 by Blue Öyster Cult on their album Spectres, is a rock song that pays tribute to the 1922 silent film Nosferatu, one of the earliest cinematic adaptations of Dracula. The lyrics, “Deep in the heart of Germany, Lucy clutched her breast in fear,” narrate the story of Count Orlok, the film’s eerie vampire.

The band’s dramatic vocals and haunting guitar riffs create a dark, gothic atmosphere. “Nosferatu” blends historical references with the band’s signature rock sound, capturing the essence of one of the most iconic vampire tales in popular culture.

#7 “Bloodletting (The Vampire Song)” by Concrete Blonde

“Bloodletting (The Vampire Song),” released in 1990 by Concrete Blonde on their album Bloodletting, is a gothic rock song that vividly captures the allure and darkness of vampire mythology. The lyrics, “There’s a crack in the mirror and a bloodstain on the bed, oh, you were a vampire and baby, I’m the walking dead,” paint a haunting picture of a vampire’s seductive and deadly nature.

Johnette Napolitano’s powerful vocals and the song’s brooding bassline create a chilling and atmospheric vibe. The track delves into themes of immortality, predation, and the erotic undertones often associated with vampire lore, making it a standout in the genre.

#8 “Fresh Blood” by Eels

“Fresh Blood,” released in 2009 by Eels on their album Hombre Lobo, is an alternative rock song that uses vampire imagery to explore themes of desire and transformation. The lyrics, “Blood makes noise, it’s a sound that’s sweet to me,” express a raw, primal yearning for renewal and change.

Mark Oliver Everett’s gritty vocals and the song’s driving rhythm create a sense of urgency and intensity. “Fresh Blood” captures the duality of longing and danger inherent in the vampire mythos, reflecting the inner struggles and powerful emotions tied to the quest for new experiences and self-discovery.

#9 “Dark Secret” by Matthew Sweet

“Dark Secret,” released in 1995 by Matthew Sweet on his album 100% Fun, is a power-pop track that subtly incorporates vampire themes to address hidden desires and forbidden love. The lyrics, “She said, ‘There’s something in the dark that I need to find,’ and I’m trying to hold her but I’m losing my mind,” suggest an attraction to the unknown and the allure of danger.

Sweet’s melodic vocals and the song’s catchy guitar riffs create an engaging and mysterious atmosphere. “Dark Secret” uses the metaphor of vampirism to explore the complexities of love and the seductive pull of the dark and unknown aspects of human nature.

#10 “Vampire Money” by My Chemical Romance

“Vampire Money,” released in 2010 by My Chemical Romance on their album Danger Days: The True Lives of the Fabulous Killjoys, is a punk rock song that critiques the commercialization of art and the entertainment industry. The lyrics, “3, 2, 1, we came to fuck, everybody party till the gasman comes,” use vampire imagery to symbolize the exploitative nature of the music business.

Gerard Way’s energetic vocals and the song’s fast-paced, rebellious instrumentation create a defiant and electrifying vibe. “Vampire Money” highlights the band’s disdain for corporate greed and their commitment to artistic integrity, using the vampire metaphor to underscore the industry’s predatory tendencies.

#11 “Vampire” by Olivia Rodrigo

“Vampire,” released in 2023 by Olivia Rodrigo, is a pop-rock ballad that explores the emotional devastation caused by a toxic relationship, using vampire imagery to convey the draining and destructive nature of the experience. The lyrics, “I used to think I was smart, but you made me look so naive, the way you sold me for parts as you sunk your teeth into me,” express feelings of betrayal and exploitation.

Rodrigo’s powerful vocals and the song’s dramatic, piano-driven melody create an intense and emotional atmosphere. “Vampire” resonates with listeners who have experienced manipulation and heartbreak, using the vampire metaphor to illustrate the emotional toll of such relationships.

#12 “Vampyre of Time and Memory” by Queens of the Stone Age

“Vampyre of Time and Memory,” released in 2013 by Queens of the Stone Age on their album …Like Clockwork, is an introspective rock song that delves into themes of existential despair and the passage of time. The lyrics, “I want God to come and take me home ’cause I’m all alone in this crowd,” reflect a deep sense of isolation and longing for release.

Josh Homme’s haunting vocals and the song’s ethereal, melancholic instrumentation create a somber and reflective atmosphere. “Vampyre of Time and Memory” uses the vampire metaphor to explore the emotional weight of time and the search for meaning in a seemingly indifferent world.

#13 “Fascination Street” by The Cure

“Fascination Street,” released in 1989 by The Cure on their album Disintegration, is a dark and brooding song that, while not explicitly about vampires, evokes a gothic atmosphere and themes of seduction and the night. The lyrics, “Oh, it’s opening time down on Fascination Street, so let’s cut the conversation and get out for a bit,” capture a sense of urgency and the allure of the night.

Robert Smith’s haunting vocals and the song’s driving bassline create a hypnotic and immersive atmosphere. The track’s dark and enigmatic tone aligns with the mystique and allure often associated with vampire mythology.

#14 “Living Dead Girl” by Rob Zombie

“Living Dead Girl,” released in 1999 by Rob Zombie on his album Hellbilly Deluxe, is a heavy metal song that blends horror imagery with a pounding industrial sound. The lyrics, “Who is this irresistible creature who has an insatiable love for the dead?” set the tone for a dark and eerie narrative.

Zombie’s gritty vocals and the song’s aggressive instrumentation create a menacing and gothic atmosphere. “Living Dead Girl” captures the macabre fascination with the undead and the seductive power of a supernatural femme fatale, making it a fitting anthem for fans of horror and vampire themes.

#15 “Season of the Witch” by Donovan

“Season of the Witch,” released in 1966 by Donovan on his album Sunshine Superman, is a psychedelic rock song that delves into themes of paranoia and the supernatural. The lyrics, “When I look out my window, so many sights to see, and when I look in my window, so many different people to be,” reflect a sense of disorientation and mystery.

Donovan’s eerie vocals and the song’s haunting melody create an otherworldly atmosphere. Although not explicitly about vampires, the song’s exploration of the uncanny and its mystical vibe align well with the themes of vampirism and the supernatural.

#16 “Vampires” by Godsmack

“Vampires,” released in 2000 by Godsmack on their album Awake, is a hard rock song that uses vampire imagery to convey themes of predation and darkness. The lyrics, “Few survive the hunt, you can’t kill what you can’t touch,” suggest a menacing and unstoppable force. Sully Erna’s powerful vocals and the song’s heavy, driving guitar riffs create an intense and foreboding atmosphere.

“Vampires” captures the aggressive and predatory nature of vampire lore, exploring the darker aspects of the human psyche and the metaphorical “hunt” that vampires symbolize.

#17 “Vampire Heart” by HIM

“Vampire Heart,” released in 2005 by HIM on their album Dark Light, is a gothic rock song that romanticizes the notion of a vampire’s love. The lyrics, “Hold me like you held on to life when all fears came alive and entombed me,” speak to an eternal and passionate love that transcends mortality.

Ville Valo’s deep, emotive vocals and the song’s dark, melodic instrumentation create a sense of haunting romance. “Vampire Heart” blends themes of love and death, capturing the intense and everlasting nature of a vampire’s affection and the tragic beauty of immortal love.

#18 “Vampires in Blue Dresses” by Margot & The Nuclear So and So’s

“Vampires in Blue Dresses,” released in 2006 by Margot & The Nuclear So and So’s on their album The Dust of Retreat, is an indie rock song that uses vampire imagery to critique social pretensions and superficiality. The lyrics, “And I still know that I’m grown, and I can’t fake it anymore,” express disillusionment with false appearances and insincerity.

The band’s reflective vocals and the song’s melancholic melody create an introspective and contemplative atmosphere. “Vampires in Blue Dresses” uses the metaphor of vampirism to explore themes of authenticity and the draining effect of maintaining façades in social interactions.

#19 “Vampira” by The Misfits

“Vampira,” released in 1982 by The Misfits on their album Walk Among Us, is a punk rock song that pays homage to the iconic horror hostess Vampira, portrayed by Maila Nurmi. The lyrics, “Two inch nails, micro waist, with a pale white feline face,” describe Vampira’s distinctive and eerie appearance.

Glenn Danzig’s aggressive vocals and the song’s fast-paced, raw instrumentation create an energetic and rebellious atmosphere. “Vampira” captures the essence of the horror punk genre, blending themes of horror and rock ‘n’ roll with a tribute to one of the genre’s most influential figures.

#20 “Vampire” by 2CELLOS

“Vampire,” released in 2013 by 2CELLOS on their album In2ition, is an instrumental piece that uses the cello to convey the dark and haunting atmosphere associated with vampire mythology. The song features intense and dramatic cello playing, with rapid bowing and deep, resonant tones that evoke a sense of urgency and foreboding.

The dynamic range and emotive performance create a powerful and immersive listening experience. “Vampire” showcases 2CELLOS’ ability to use classical instruments to capture the essence of supernatural themes, making it a fitting addition to the genre of vampire music.

#21 “Lullaby” by The Cure

“Lullaby,” released in 1989 by The Cure on their album Disintegration, is a gothic rock song that tells a creepy and unsettling story reminiscent of vampire lore. The lyrics, “On candy stripe legs, the spiderman comes, softly through the shadow of the evening sun,” describe a sinister figure lurking in the night.

Robert Smith’s whispered, eerie vocals and the song’s haunting, orchestral arrangement create a chilling and atmospheric vibe. “Lullaby” delves into themes of fear and nightmares, capturing the dark allure and terror often associated with vampire stories and the creatures of the night.

#22 “Transylvanian Concubine” by Rasputina

“Transylvanian Concubine,” released in 1996 by Rasputina on their album Thanks for the Ether, is a gothic rock song that draws inspiration from vampire legends and the eerie atmosphere of Transylvania. The lyrics, “If you want to know how to fly high, then go now to the place where all the concubines meet,” evoke a sense of mystery and dark seduction.

Melora Creager’s ethereal vocals and the song’s haunting cello arrangements create a gothic and captivating atmosphere. “Transylvanian Concubine” explores the themes of allure and danger associated with vampires, weaving a tale of supernatural enchantment.

#23 “Blood on My Hands” by The Used

“Blood on My Hands,” released in 2009 by The Used on their album Artwork, is a post-hardcore song that uses violent and graphic imagery to convey themes of guilt and inner turmoil. The lyrics, “Now it’s my time to die, I’ve got blood on my hands, no guilt on my conscience,” reflect a sense of remorse and conflict.

Bert McCracken’s intense vocals and the song’s aggressive, fast-paced instrumentation create a chaotic and raw atmosphere. While not explicitly about vampires, the song’s dark and visceral imagery aligns with the themes of predation and moral conflict found in vampire mythology.

#24 “The Killing Moon” by Echo & The Bunnymen

“The Killing Moon,” released in 1984 by Echo & The Bunnymen on their album Ocean Rain, is a gothic rock song that explores themes of fate, desire, and mortality, often associated with vampire lore. The lyrics, “Fate up against your will, through the thick and thin, he will wait until you give yourself to him,” suggest an inevitable and predestined encounter with a powerful force.

Ian McCulloch’s haunting vocals and the song’s rich, atmospheric arrangement create a sense of mystique and foreboding. “The Killing Moon” captures the timeless and seductive nature of vampires, blending romanticism with the inevitability of destiny.

#25 “Dracula’s Wedding” by OutKast

“Dracula’s Wedding,” released in 2003 by OutKast on their double album Speakerboxxx/The Love Below, is a quirky and imaginative track that features Kelis. The lyrics, “You’re all I ever wanted, but I’m terrified of you,” portray the conflicted emotions of love and fear, akin to the allure and danger of vampire relationships.

The song’s playful yet eerie instrumentation and Andre 3000’s unique vocal delivery create an offbeat and captivating atmosphere. “Dracula’s Wedding” uses the vampire theme as a metaphor for the complexities and fears associated with deep emotional connections, blending humor and darkness in a creative narrative.

#26 “Cry Little Sister” by Gerard McMann

“Cry Little Sister,” released in 1987 by Gerard McMann (also known as G Tom Mac), is the theme song for the cult classic vampire film The Lost Boys. The lyrics, “Cry little sister (thou shall not fall), come to your brother (thou shall not die),” evoke a haunting and gothic feel, perfectly complementing the movie’s dark and mysterious atmosphere.

McMann’s ethereal vocals and the song’s atmospheric synth arrangement create a haunting and nostalgic vibe. “Cry Little Sister” has become synonymous with vampire pop culture, encapsulating the eerie allure and emotional depth of vampire stories.

#27 “Vampire Blues” by Neil Young

“Vampire Blues,” released in 1974 by Neil Young on his album On the Beach, is a bluesy rock song that uses vampire imagery to critique the oil industry and environmental exploitation. The lyrics, “I’m a vampire, baby, sucking blood from the earth,” liken the greed and destruction caused by oil companies to the parasitic nature of vampires.

Young’s raw vocals and the song’s laid-back, bluesy instrumentation create a reflective and somber atmosphere. “Vampire Blues” cleverly uses the vampire metaphor to address serious socio-political issues, highlighting the destructive consequences of unchecked corporate greed.

#28 “Love Song for a Vampire” by Annie Lennox

“Love Song for a Vampire,” released in 1992 by Annie Lennox as part of the soundtrack for the film Bram Stoker’s Dracula, is a hauntingly beautiful ballad that captures the tragic and eternal nature of vampire love. The lyrics, “Come into these arms again and lay your body down,” evoke a sense of longing and sorrow.

Lennox’s powerful and emotive vocals, combined with the song’s orchestral arrangement, create a deeply moving and gothic atmosphere. “Love Song for a Vampire” encapsulates the romantic and tragic elements of vampire mythology, making it a poignant addition to the genre.

#29 “Bloodsucker” by Deep Purple

“Bloodsucker,” released in 1970 by Deep Purple on their album In Rock, is a hard rock song that uses vampire imagery to convey themes of betrayal and exploitation. The lyrics, “Oh, bloodsucker, of the universe, you’re a bad loser,” depict a relationship tainted by deceit and manipulation.

Ian Gillan’s powerful vocals and the song’s heavy, aggressive guitar riffs create an intense and energetic atmosphere. “Bloodsucker” channels the anger and resentment associated with being taken advantage of, using the vampire metaphor to highlight the parasitic nature of such relationships.

#30 “Night of the Vampire” by Roky Erickson

“Night of the Vampire,” released in 1981 by Roky Erickson on his album The Evil One, is a gothic rock song that embraces classic horror themes and vampire lore. The lyrics, “If it’s raining and you’re running, don’t slip in mud ’cause if you do, you’ll slip in blood tonight,” paint a vivid picture of a terrifying nocturnal encounter.

Erickson’s distinctive, haunting vocals and the song’s eerie, psychedelic instrumentation create a chilling and atmospheric vibe. “Night of the Vampire” captures the fear and fascination associated with vampires, blending horror and rock to create a memorable and spine-tingling track.

#31 “Vampire” by Tribal Blood

“Vampire,” released by Tribal Blood, is an intense and powerful song that delves into the primal and predatory aspects of vampire mythology. The lyrics, “Hunting in the night, thirsting for your life,” vividly depict the nocturnal and bloodthirsty nature of vampires.

The band’s heavy, aggressive instrumentation and raw, emotive vocals create a dark and foreboding atmosphere. “Vampire” uses the metaphor of vampirism to explore themes of desire, predation, and the loss of humanity, capturing the essence of what it means to be a creature of the night.

#32 “Fear of the Dark” by Iron Maiden

“Fear of the Dark,” released in 1992 by Iron Maiden on their album of the same name, is a heavy metal classic that, while not specifically about vampires, captures the essence of fear and the supernatural that often accompanies vampire lore. The lyrics, “Have you run your fingers down the wall and have you felt your neck skin crawl when you’re searching for the light?” evoke a sense of paranoia and dread that fits perfectly with the theme of a vampire lurking in the shadows.

Bruce Dickinson’s powerful vocals and the song’s dynamic, eerie instrumentation create a thrilling and suspenseful atmosphere. “Fear of the Dark” resonates with listeners who appreciate the haunting and mysterious elements associated with vampires.

#33 “A Vampire’s Lament” by Atreyu

“A Vampire’s Lament,” released in 2002 by Atreyu on their album Suicide Notes and Butterfly Kisses, is a post-hardcore song that explores the sorrow and isolation of being a vampire. The lyrics, “The nightmares have become my dreams, and the light has turned to darkness,” reflect the anguish and eternal suffering of a vampire’s existence.

Alex Varkatzas’ intense vocals and the band’s heavy, melodic instrumentation create a powerful and emotional atmosphere. “A Vampire’s Lament” captures the tragic and tormented aspects of vampire life, portraying the eternal struggle between their humanity and their monstrous nature. The song’s raw energy and emotional depth make it a poignant exploration of the darker side of vampirism.

Frequently Asked Questions

What themes are commonly explored in songs about vampires?

Songs about vampires often explore themes of immortality, seduction, and the struggle between humanity and monstrosity. These tracks frequently delve into the darker aspects of desire, power, and the supernatural.

Are vampire-themed songs limited to specific music genres?

No, vampire-themed songs span various genres including rock, pop, metal, goth, and alternative. Each genre brings its own unique interpretation and atmosphere to the vampire mythos.

How do artists use vampire imagery in their lyrics?

Artists use vampire imagery to symbolize emotional and psychological experiences such as love, betrayal, and inner turmoil. Vampires often serve as metaphors for predation, forbidden desire, and the fear of the unknown.

Why do vampire-themed songs resonate with listeners?

Vampire-themed songs resonate with listeners because they tap into universal fears and fascinations with immortality, darkness, and the supernatural. The mystique and allure of vampires provide a compelling backdrop for exploring complex emotions and narratives.